More three-part polyrhythm practice . . .

This time using speeds in ratios 7 : 5 : 3, and over a I-VI-ii-V in Eb major.

The metronome coincides with the slowest pulsation throughout the modulations.

The permutations of the three ratios throughout this recording are:


7          7          5          7          7
5          3          3          3          5
3          5          7          5          3


For what it's worth, I always hear the pulsation lowest in pitch as the primary pulse; that it, the "beat."

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New albums + quiz/giveaway

I have two new albums out:

Ordinary Madness is a collection of three improvisations from four of Australia’s finest improvisers and special guest, renowned Brooklyn-based saxophonist, Tim Berne. This recording presents all of the music made in the studio: no edits or alterations. It also features images from Arthur Leeds Schmidt.

As well as your truly it features: Tim Berne (alto sax), Scott Tinkler (trumpet), Philip Rex (bass), and

Simon Barker (drums)

Sarcophile (the Latin term for a Tasmania Devil) is the debut release from the Marc Hannaford trio, and contains improvisations and original compositions stemming from (American composer) Elliott Carter’s rhythmic language.

It also features Sam Pankhurst (bass) and James McLean (drums).

Ordinary Madness is being launched this Thursday, the 16th, at Uptown Jazz Cafe, 177 Brunswick St, Fitzroy, Melbourne. On the night I'll be joined by Scott Tinkler, Scott McConnachie, Phil Rex and Simon Barker. From 9pm.

For your chance to win a copy of this album simply do two things:

1. Make sure you're on my mailing list (head over to my website, scroll all the way down and enter your email).

2. Answer this question: The poet who inspired the title for Ordinary Madness was born where?

Post your answer in the comments. The first three correct answers (who are also on my mailing list) wins a free download of the album Ordinary Madness.